It's hard to tell for sure where Mute was trying to go and what was its director, the brilliant Duncan Jones, trying to do. As a cyberpunk tale set in the undefined period in, I guess, the future, it has all the hallmarks of a noir story. The movie showcases a mute main character that gets his love taking from him, a group of odd persons from the margins of society as supporting characters and some weird new pieces of tech everyone is using.
The result is something that is an unholy mix of Strange Days and Southland Tales, but which features all of the failed quirkiness of the later film. It might sound strange, but Mute is a movie that is somehow completely devoid of charm and it kind of needs it. In fact, it needs it bad, like many science fiction films that are high concept pieces. This one is a film like that, but it has a lot of charm. Jones maybe did not intend this, but the movie is still a high concept (at least parts of it try to be one). This is why watching the film, at least for me, seems like a waster experience from start to end.
The result is something that is an unholy mix of Strange Days and Southland Tales, but which features all of the failed quirkiness of the later film. It might sound strange, but Mute is a movie that is somehow completely devoid of charm and it kind of needs it. In fact, it needs it bad, like many science fiction films that are high concept pieces. This one is a film like that, but it has a lot of charm. Jones maybe did not intend this, but the movie is still a high concept (at least parts of it try to be one). This is why watching the film, at least for me, seems like a waster experience from start to end.
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