Documentary: Imagine Nation (2018)

Electronic Dance Music or EDM is one of the unsung heroes of the ongoing digital revolution. From its modest beginnings decades ago when first audio engineering pioneers started experimenting with modifying guitar processors to the birth of DJ and computer music production, the EDM has been growing constantly and consistently all over the world.

Imagine Nation is an impressive new documentary taking a look in this domain and doing it at a festival that holds a very special place for the EDM culture. Here how the film describes itself:

What started as a small city festival in Atlanta has blossomed into one of the largest EDM festivals in North America. Viewers are immersed into the event's eye-popping stage production, insane pyrotechnics, diversified line-up of headliners from around the world, a wide array of stage performers, Avant Garde art installations, stunt riders, and carnival rides.

The trailer perfectly represents the sheer explosion of color, movement, music, and emotion that grips the crowd who are clearly experiencing a unique event, especially considering its sheer scale. Over a three-day period, more than 50,000 people come together on the festival to enjoy not just the music performances, but also many other types of art, including some things that simply have to be experienced to be fully comprehended.

The Imagine Nation documentary follows the same event using the incredible Red Epic W 8k cameras that shot everything in 4k resolution at stunning 60 FPS, aiming to do justice to the incredible happenings taking place in front of the lenses. Watching only a few moments of the trailer shows how smart this decision was - the festival action simply wants to jump out from the screen.

This documentary is something that is clearly brimming with that special energy which allowed EDM to become such a powerful force in the modern show business. If this sounds cool to you, check out Imagine Nation documentary on Amazon right here!

Two Paragraph Review: Upgrade (2018)

First, let's talk about the weakest part of this film - in the beginning, the movie stumbles with its exposure and buildup. The main character Gray, an anti-technology car mechanic living in a futuristic near future, seems like a fish out of the water, but not in any intended way. Sure, the plot is clearly going to an ominous place but it appears to be taking its sweet time to get there in the first 20 minutes. The screen time for this part of the story feels somehow wasted and there is no meaningful connection neither between Gray and his wife Asha, nor between him and the life he�s living.

But, with the intro into the story ending and the actual plot beginning, the movie switches gears. The biggest improvement at that point is the introduction of STEM, a self-conscious chip that bridges Gray�s damaged spinal cord and turns him into a flesh-based robot. STEM is a combination of KITT from Knight Rider and HAL 9000 and it quickly transforms the film into a brilliant action movie. With some exceptional cinematography from the director Leigh Whannell and smart and funny script (which is miles away from the awkward and sloppy opening), Upgrade is sure among the top action films of the year so far.

Two Paragraph Review: I, Tonya (2017)

It would be a complete waste of time to watch this movie and figure out it is only a complex showreel for Margot Robbie where she demonstrates her acting talents. Fortunately, the film is not this but a dark comedy that happens to be rooted in reality. For those in the US, the story of Tonya Harding is probably well-known and the film uses this fact. It quickly rewinds her life up and down as it builds towards the key element � the entire scandal with the wounding of Nancy Kerrigan.

Here, the film for me falters. I, Tonya am neither a film about this haunted yet brilliant person nor is it about a wacky crime in the sports world of the 1990s. It is something in-between and that is why it works as something in-between bad and good. No one is to blame for this and it does not hamper the film too much, but it does end up making the movie feel like a really expensive afternoon TV release. 

Indie Showcase: Sinking Sand (2018)

The plot that is based on crime and punishment is as old as time itself, even before a particular Russian novelist used it for one of his famous books. After all, it is something we're all instantly interested in, no matter what the actual story or the setting might be.

The appeal of the concept is clear and also the reason why centuries pass and it remains as fresh as ever. Sinking Sand is a new indie thriller-drama that is utilizing the very same idea. Here is how the movie explains its plot:

After a loving wife murders a blackmailer to protect her husband�s flourishing law career, she must watch as he prosecutes another for her crime.

Through this simple premise, the trailer for Sinking Sand reveals an impacting film, one which is first and foremost a psychological drama about our decision and their wide-branching consequences. Through the plot, the film�s cinematography approach clearly puts a lot of emphasis on its characters. The slow shots of the faces of the actors reveal deep and terrible dilemmas in which most of them are placed.

Sinking Sand Official Trailer from Nandar Pictures on Vimeo.

Should the guilty step forward?

What is the price of staying quiet?

Will the transgression of the past die out or only come back as hideous monsters?

The director, Brian Yarbrough, clearly managed to explore all of these using modest means of an indie production. Yet, the result seems very polished and thought-out so I have no doubt that the movie will be a worthwhile experience, especially for those who are interested in deep-impacting cinema.

Sinking Sands is out on  DVD & VOD September 18, 2018. Until then, check out the movie�s official Amazon page right here.

Two Paragraph Review: Hostiles (2018)

There�s something about this film that I can�t quite put my finger upon. It is something elusive, barely visible and still impacting the entire experience of watching it. But, while I cannot pinpoint it, what I am certain is that it stops the film from being really impressive. Instead, it makes it linger between the average and the good categories, as something that belongs in neither one. Its story is about a late 19th century US army captain who escorts a family of native prisoners to their new home. He does this after many years of bitter US-Native fighting and crooked peace deals, now apparently nothing more than a jaded and violent officer, masterfully played by Christian Bale.

Now, why is the film lacking in such distinctive, slight and yet undeniable manner? It is not that the film features or forces some particular type of political message that would make it feel fake, even though it does tend to pile blame more towards the white settlers (no argument here from the historical perspective). The problem lies, for me, in those little cracks and fissures that appear from time to time, mostly in the script. A sappy moment here, an injection of banality there. At the same time, unlike small masterpieces of new-western like Bone Tomahawk, the film takes itself excruciatingly seriously. Thanks to this, it ends up missing the mark for me - not completely, but evidently. 

Indie Showcase: Forbidden Power (2018)

Forbidden Power seems like an ambitious movie that is mixing an interesting blend of genres. Here is how the film described its plot:

After a one night affair with a mysterious woman, a young man wakes up alone, empowered and with a cryptic message. He uses his power in business and then searches for the women to find out where her power came from.

The movie is written and directed by Paul Kyriazi, an industry veteran with more than four decades of movie business experience. This is probably the reason why he decided to combine things like science fiction, thriller, action, and mystery, each of which is a big challenge for independent production.

Yet, it seems that Kyriazi managed to hold his own.

As the trailer shows, the premise seems similar to the movie Limitless, in a sense that both films explore the idea of a man who suddenly attains incredible and almost supernatural powers. But, while Limitless uses a somewhat weak and passing underlying story, Forbidden Power takes its own into science fiction territory. Clearly, the same sci-fi concept only grows in relevance as the movie progresses, aiding the overall sense of mystery.

Thanks to its bold approach to a complex combination of genres, Forbidden Power seems like a film worth the time of anyone who is into an indie mystery and science fiction releases. If that sounds interesting to you, go ahead and watch it right now on Amazon.

Two Paragraph Review: A Quiet Place (2018)

The thing that makes A Quiet Place such an original experience is the fact that it takes away a single element of regular cinematic work - speech. It keeps many of the other sounds, like ambiance noise and even music. Yet, when it comes to human speech, the thing we hear so much in almost any movie genre - there is almost none. At the same time, the plot is full of an intensity of character interaction, especially those coming from Emily Blunt, all of whom are members of a US family stuck in a post-apocalyptic setting where making a loud sound means a certain death.

With this reduced process of storytelling, the movie managed to be a small marvel of cinematic greatness. Devoid of speeches and dialogues, it creates an engaging thriller/horror story while building a family drama in the background. Mixing all of this in some gorgeous cinematography, A Quiet Place is really a great example of successful innovation coming from mainstream Hollywood production.