Documentary: Imagine Nation (2018)

Electronic Dance Music or EDM is one of the unsung heroes of the ongoing digital revolution. From its modest beginnings decades ago when first audio engineering pioneers started experimenting with modifying guitar processors to the birth of DJ and computer music production, the EDM has been growing constantly and consistently all over the world.

Imagine Nation is an impressive new documentary taking a look in this domain and doing it at a festival that holds a very special place for the EDM culture. Here how the film describes itself:

What started as a small city festival in Atlanta has blossomed into one of the largest EDM festivals in North America. Viewers are immersed into the event's eye-popping stage production, insane pyrotechnics, diversified line-up of headliners from around the world, a wide array of stage performers, Avant Garde art installations, stunt riders, and carnival rides.

The trailer perfectly represents the sheer explosion of color, movement, music, and emotion that grips the crowd who are clearly experiencing a unique event, especially considering its sheer scale. Over a three-day period, more than 50,000 people come together on the festival to enjoy not just the music performances, but also many other types of art, including some things that simply have to be experienced to be fully comprehended.

The Imagine Nation documentary follows the same event using the incredible Red Epic W 8k cameras that shot everything in 4k resolution at stunning 60 FPS, aiming to do justice to the incredible happenings taking place in front of the lenses. Watching only a few moments of the trailer shows how smart this decision was - the festival action simply wants to jump out from the screen.

This documentary is something that is clearly brimming with that special energy which allowed EDM to become such a powerful force in the modern show business. If this sounds cool to you, check out Imagine Nation documentary on Amazon right here!

Two Paragraph Review: Upgrade (2018)

First, let's talk about the weakest part of this film - in the beginning, the movie stumbles with its exposure and buildup. The main character Gray, an anti-technology car mechanic living in a futuristic near future, seems like a fish out of the water, but not in any intended way. Sure, the plot is clearly going to an ominous place but it appears to be taking its sweet time to get there in the first 20 minutes. The screen time for this part of the story feels somehow wasted and there is no meaningful connection neither between Gray and his wife Asha, nor between him and the life he�s living.

But, with the intro into the story ending and the actual plot beginning, the movie switches gears. The biggest improvement at that point is the introduction of STEM, a self-conscious chip that bridges Gray�s damaged spinal cord and turns him into a flesh-based robot. STEM is a combination of KITT from Knight Rider and HAL 9000 and it quickly transforms the film into a brilliant action movie. With some exceptional cinematography from the director Leigh Whannell and smart and funny script (which is miles away from the awkward and sloppy opening), Upgrade is sure among the top action films of the year so far.

Two Paragraph Review: I, Tonya (2017)

It would be a complete waste of time to watch this movie and figure out it is only a complex showreel for Margot Robbie where she demonstrates her acting talents. Fortunately, the film is not this but a dark comedy that happens to be rooted in reality. For those in the US, the story of Tonya Harding is probably well-known and the film uses this fact. It quickly rewinds her life up and down as it builds towards the key element � the entire scandal with the wounding of Nancy Kerrigan.

Here, the film for me falters. I, Tonya am neither a film about this haunted yet brilliant person nor is it about a wacky crime in the sports world of the 1990s. It is something in-between and that is why it works as something in-between bad and good. No one is to blame for this and it does not hamper the film too much, but it does end up making the movie feel like a really expensive afternoon TV release.