Sunday, 29 January 2017

The Accountant (2016) � Trying to be Smart

Copyright: Warner Bros. Pictures
Nothing is too much when it comes to this film, which is why it is so loaded with different snippets of ideas and narrative threads. The plot itself is relatively straightforward � Christian Wolff, a forensic accountant that is brilliant and a high-functioning autistic is hired by a tech company that wants to understand where their money is going. However, the company does not know Christian is used to working for all types of dangerous organizations, from terrorists to crime syndicates.

At the same time, two other factions are also working on this case, but only one of them is a national agency. The other group is represented by mercenaries/hit men who want to resolve the problem, no matter it might turn out to be by leaving a pile of dead bodies in their wake.

Using a combination of fast-paced action and flashbacks that showcase the childhood of a mentally and emotionally challenged boy and his brother, The Accountant is a movie that immediately seems �smart�. It hops around the plot with these backstory building blocks, combining a standard thriller with the idea of a mystery film.  Who are the boys and which one, if any, is Christian?

Other elements of the backstory are also presented through his strange memento moments and all do wonders as fragments of a broader film�s narrative. However, all of this also competes for the viewers� attention when it comes to the present mystery of the missing money and the hailstorm of problems that will soon be upon everyone�s heads.

Yet, in spite of this, there is a sour feel to the film. The best way to describe it is to point towards Interstellar and the way it (although on a much larger scale) tried to sell itself as a lot smarter and profound than it really was. Here as well, there is that unmistakable feeling of the authors desperately trying to make everyone not think their film is plain by any measure. It is as if everyone had to come out of the theater thinking �that was some deep yet very gunfire-and-action laden experience�. Here the mandatory runtime of over 120 minutes is also present, even though 100 minutes would do perfectly.

Now, while there are plenty of witty things in the film, it�s by no means a thriller which propagates any kind of message or deeper idea. It�s fun but not as smart as it tries to be, which is an ambition that is even further decimated by Anna Kendrick playing her cut yet confused character she did so many times before.

Monday, 9 January 2017

MFM's Best Movies of 2016

2016 was the year when I saw a really small amount of films, both good and bad. But, being that 2017 arrived, it's that time to reflect and divide the fine films from the mediocre ones. Because of that, here's my list of the best films I saw in the previous year.

Hail, Caesar! - The Coen Brothers at their silver medal level - the film tries to be overtly funny, which always produces weaker results than their thrillers (A Serious Man doesn't count). Still, one of the best oddball comedies of the year.

Deadpool - many swear by it and it is a good film, but only when it remains in the AAA superhero genre. Out of it, both Defendor and Super (even Kick-Ass to a point) did a better job at destroying superhero cliches in a lot crueler manner.

Zootopia - cute and smart, Zootopia does what it plans to do, even though it is a bit more soulless compared to the true animated masterpieces like Wall-E.

Star Trek Beyond - fun and mindless, it's director Jason Lin managed to create a fine space opera. The philosophy and thoughtfulness of Star Trek are dead and buried, but we have J.J. Abrams to thank for that, so Lin simply made the best out of a bad deal.

Midnight Special - runner up to the film of the year, Nichols tried to reinvent the Close Encounter of the Third Kind and didn't fail completely. It might not be Mud, but it is good to see him stepping out of his family-oriented domain, knowing it is his strong suit. Hopefully, he returns to it even more poignant.

Film of the Year

Green Room - ultra-violent and original, Green Room is the perfect example of Jeremy Saulnier's power in the innovative thriller genre. As nazis vs punks movie, it has a lot more going for it than the exploitation flavor, but it still uses it for all its worth. Saulnier should have a great career in front of him, as long as he steers clear of Star Wars 11 and similar stuff people will throw at him now.

movie link

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