Film Review: 10 Cloverfield Lane (2016)

Copyright: Paramount Pictures

I can only describe a film like 10 Cloverfield Lane as a classy thriller horror. I say classy because it does provide a certain level of style and commitment that elevates it above what most other three-man movies with a story vaguely similar to this one.

As a spiritual successor of Cloverfield which has nothing to do with the previous film aside from the idea that regular people are placed into unexpected, enormous and outwardly danger, the film comes with the burden or recognition and expectations. But, in spite of this, the �sequel� works pretty well in its narrow (literally and figuratively) playing field. Of course, the original Cloverfield did not have John Goodman, an actor who can make all the difference for a movie.

Here, Goodman didn�t have to swoop in and save the day because the rest of the film is solid. Its director, Dan Trachtenberg created his first-time feature-length but he found his bearings rather well, keeping things minimal much in the same way as the plot � the film covers a Michelle, a young woman who is in a car crash, after which she wakes up in an underground bunker, where a man claims the world is under a total chemical or biological attack. The woman and the captor/savior, along with a young man, are locked in the bunker.

From the initial premise, the film quickly develops several narratives, but the two are important: a lifeboat scenario mixed in with an investigative sub-plot. In the confinement of the bunker, Goodman was able to show off his talent, but so was Mary Elizabeth Winstead as the relentless Michelle. Their interplay works exceedingly well when the tension is cranked up and this is the primary driving force of the film.

Through its short run-time, Trachtenberg is able to keep a steady hold of the reigns and steer 10 Cloverfield Lane into a satisfying conclusion (along with a very J. J. Abrams touch to its finale, which was included in the production). As a small horror/psychological thriller, the film attained its maximal potential.

Film Review: Warcraft (2016)

Copyright: Universal Pictures

Great young directors will often be provided with a chance to enter the realm of huge Hollywood blockbusters and showcase their ability to tackle projects on this scale. Duncan Jones, whose talent after films like Moon is indisputable, got his break with the first feature-length movie adaptation of the Warcraft video game franchise.

Jones should have said no, but he instead tried to do the best he could, which wasn�t that great when all is summed up. In the film, the beginning stages of the orc invasion of the realm of Azeroth begins, all masterminded by Gul'dan � if this doesn�t mean a lot to you, you probably won�t enjoy the rest of the action-packed film which is not that action packed. 

Lead by a weird assembly of actors, some of which are both very good and poorly cast, which is presented perfectly with the case of Ben Foster, the Warcraft film is lacking clear direction and some final sense of purpose. 

Instead of being an epic fantasy film, it feels like an epic pilot episode for a new TV show. In the dynamic of the film, the perspectives are switched between human side and the orc side, showing a series of both internal and external power struggles, all of which kind of make no sense in the global scheme of things.

Visually, things never stop looking great, in spite of some plastic-looking props that are painfully not made out of metal. Here, some magic of being in the realm of Azeroth is there, cropping up periodically, but it is not enough. Unlike the original Lord of the Rings trilogy, the film has a hard time making the audience believe that it�s worlds are not only CGI stages filled with Styrofoam weapons. The plot suffers from the very same thing and this is not improved by the �it shall continue� ending.

I�m not sure who pulled whom and who much during the decade-long production of this movie, but in the end, everyone came up short. Warcraft is not a boring experience � however, it does its source material and creators no justice whatsoever.